Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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STUBBS, George
Whistlejacket r

ID: 09183

STUBBS, George Whistlejacket r
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STUBBS, George Whistlejacket r


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STUBBS, George

English Romantic Painter, 1724-1806 English painter, draughtsman and printmaker. His study of anatomy enabled him to paint horses, dogs and wild animals with unsurpassed truth to nature, while his innate sense of design enabled him to achieve graceful, rhythmic compositions. His contemporary reputation was chiefly based on portraits of horses and dogs; but he also painted human portraits, conversation pieces and imaginative subjects with animals.  Related Paintings of STUBBS, George :. | George IV when Prince of Wales (mk25) | William Anderson with Two Saddle-horses er | Molly Longlegs with Jockey (mk08) | Haymaking t | William Anderson with Two Saddle Horses (mk25) |
Related Artists:
John Wollaston
English-born American Rococo Era Painter, active 1742-1775
Ole Peter Hansen Balling
1823-1906
Prospero Fontana
(1512 - 1597) was an Italian painter of the late Renaissance. Fontana was born in Bologna, and became a pupil of Innocenzo da Imola. He afterwards worked for Perin del Vaga in the Palazzo Doria in Genoa. Towards 1550, it is reported that Michelangelo introduced him to Pope Julius III as a portrait-painter; and he was pensioned at the pontifical court. He later joined Vasari's studio in Florence, and worked in frescoes at the Palazzo Vecchio (1563-65). He is an early representative of the Bolognese school of painting. Sabbatini, Sammachini and Passerotti were three of his principal pupils or colleagues. His daughter, Lavinia Fontana, was also a prominent painter of mostly conventional religious canvases. Returning to Bologna, after doing some work in Fontainebleau (France) and in Genoa, he opened a school of art, in which he became briefly the preceptor of Lodovico and Agostino Carracci. He has left a large quantity of work in Bologna. His altarpiece of the Adoration of the Magi, in the church of Santa Maria delle Grazie, being considered his masterpiece. It is not unlike the style of Paul Veronese. He died in Rome in 1597.






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